Meiver's Intense Intensive Repertoire Classes

For the past month, I have participated in an intense set of classes that have pushed my skill level and my bank account.  But it's been completely worth it.

Meiver, one of the top teachers/performers sent out the word in late April about a set of intensive repertoire classes in which we would learn 4 different choreographies, with the possibility of performing them in different events.  I knew I needed to participate.  While I'm feeling quite overwhelmed by my schedule, I wanted to push myself to try new styles and teachers.

The 4 choreographies we were learning were Saiidi, Khaleegy, Modern Oriental, and Fan Veil.  I want to talk about my personal challenges and strengths in these choreographies, and hope that I will improve by the time we will be performing.

Saiidi
Challenges:  With the Saiidi, I have to really practice my can twirling skills.  Though I've learned a little bit about how to use the cane, I haven't tried to do an entire dance with it.  In the tiny space we were practicing in, it was somewhat difficult to feel confident about twirling, and there were definitely a few bumps that happened along the way.  I've also needed to work on perfecting the details in the dance.

Strenghts:  I feel fairly confident about this choreography.  I've manged to pick up the steps relatively quickly.  I even bought my first ever Saidi dress!

Saidi habibi

Khaleegy
Challenges:  The Khaleegy is probably going to be a bit challenging for me overall.  Though I was able to purchase a thobe, it's not one of the best qualities and I'm finding myself tripping a bit on the beads.  But the most challenging part is the spinning.  Oh my goodness...the spinning.  I know that I need to practice my spotting, and then I really need to understand the mechanics of head spinning.

Strengths:  I really want to do well at this dance, or at least survive the spinning, mainly because then I know that I've reached a higher level. Also, the dance is so fun!  Regardless of the spinning, the dance with the thobes is beautiful!  It's really fun just to watch the costume move.

Modern Oriental
Challenges:  I need to work on the transitions between sections. I know that I've focused so much on the choreography and less on the little details, like pointing my toes or how my hands are.  I'm also working on getting a costume for this dance as well.

Strengths:  The high-paced Modern Oriental is another beautiful dance.  With so many of us in the room at times, I still feel that I'm able to appreciate the look of it while we're practicing.  Again, this is another dance where I feel like I've been able to grasp the choreography.

Fan Veil
Challenges:  In general, we need to really work on the actual choreography.  I definitely need to practice using them, as it's a completely new tool for me.  Specifically, I need to work on my left arm.

Strengths:  It's so PRETTY!  I mean, I can't get over how amazingly gorgeous the fan veils themselves are.  But then you make them move along with the dancers, and it just blows my mind!  It took me a while to get a hold of my own personal fan veils from Fairy Cove Silks, as there was some problem getting a hold of my information.  But, I love them!

Prettyyyy!

Though the month has gone by, we haven't finished learning all of the choreography, since we're all comprised of different levels and need to work a bit on the finer details.  Luckily, we all want to work on perfecting the dances as this is such a great opportunity.  Groups of us are working together, with lots of help from one of the students, and are hopeful that we will be ready to learn more when practice sessions with Meiver resume.

The whole month, I've felt like I'm learning so much about myself as a dancer.  I know I have so much more to learn, but I'm feeling very proud of myself for stretching out of my comfort zone and getting more involved in the dance.  I will hopefully be doing more with this group and performing at larger shows as a troupe.

Amira Jamal's Student Recital 2010

On Sunday, May 2nd, Amira Jamal hosted her annual Student Recital at the Pacific Arts Center of Metro West, in Framingham, MA.

I love her student recitals for many reasons, including the opportunity to see my amazing classmates dance and to see some of the newcomers perform.  This might sound horrible, but (and I mean it in a really positive way)it's nice to watch the newbies because it reminds me of where I came from.  A closet full of belly dance clothes later, I can proudly say that I'm no longer a newbie.

Mainly, I love the student recitals because it's been great practice for me.  I've always been exceedingly nervous about performing in public, especially around other, more professional dancers.  But this year, I felt different.

In a way, the recital snuck up on me.  I had been extremely busy, and with a new kitty, it has been difficult to do much dancing around the apartment.  Next thing I know, it's April and the recital is a month away.

When I'm working on choreographing a piece, I usually just play the song over and over on my mp3 player.  Strangely, I find it really productive to choreograph while riding the T.  This time around, I really tried to focus more on where the music was taking my movements and build upon that, instead of trying to incorporate every little step that I knew into a dance.

But the real difference was that this year, I danced to an actual Arabic piece.

In the 5 years that I've been taking classes with Amira Jamal, I've danced to Tori Amos' "Sweet the Sting," Queen's "Crazy Little Thing Called Love," Bjork's "Bachelorette," The Beatles' "Something," and Pink Martini's "Never on Sunday."

I've always loved the idea of fusing different concepts together to create something beautiful, which is mainly why I've focused on dancing to different types of music than traditional Middle Eastern music.

The great thing about Amira's classes, however, is the fact that we're exposed to so much Middle Eastern music, from classical Arabic to more pop tunes.  She encourages us to keep broadening our understanding of the dance by understanding the music.

So, this year, I danced to "Balady ala Accordion" by Hassan Abou el Seoud (This song can be found on Shik Shak Shok and 10 Songs Every Bellydancer Should Know).

Oh, ya.  Another difference was that my costume wasn't completely green.  It was mainly purple, and only had the tiniest hint of green.

Most of the pictures were taken by my boyfriend, so they're a little blurry.
This was my entrance.

Shocker!  I know!

Oh ya, baby...those are zills!

I couldn't really tell you why I finally decided to dance to an Arabic song for the recital.  I have talked in a previous post about doing a Filipino/Middle Eastern fusion dance, but I haven't learned enough about traditional Filipino dance to put something together in time for the recital.

I had already danced to "Balady ala Accordion" at an event I organized, and I really love the song itself.  Also, in the past, I had been dancing to somewhat slower songs.  I figured it was time to up the tempo, and go for playing my zills.

Confident and smiling!

Overall, though I know I needed to improve my zill playing, I actually felt extremely confident about my dance.  Since we got the chance to perform for each other in class earlier that week, I had received really great feedback from my classmates - dancers I really respect.

I am really proud of myself for a 6th recital under my belt, and for feeling not as nervous as I stepped out onto the stage area.  It was also quite nice to get complements from some of the audience members, of whom were mainly family members of the performers.

It was also great to have my boyfriend there supporting me.  Though he isn't so good at taking pictures, it's always nice to be reminded that I have someone in my personal life that enjoys and supports this hobby.

Morocco Workshop - Presented by Za-Beth

So much is happening in the world of belly dance!  It's great when I'm able to fit things into my schedule and expand my repertoire.

The day after my birthday, after about 4.5 hours of sleep after a night of karaoke, I drove up to Woburn to attend a workshop by Morocco, a raqs sharqi legend.  Dancing for more than 50 years, Morocco is not only a master of the dance, but also a historian and researcher of the dance.  Though she's based in New York (and you can hear it in her accent), she's internationally known and sought after for her knowledge and work.

On April 24th, Za-Beth hosted another weekends worth of workshops and shows.  Though I wasn't able to attend the entire weekend, I was more than delighted to partake in my first workshop with Morocco.

Right off the bat, I thought she was hilarious!!!  Definitely strongly opinionated, but really had me chuckling in the back with her double entendres and .  She also offered quite a big of insight, including not calling figure 8's "figure 8's" in Arabic countries, since their number 8 is like an upside down V.  Also, she's very against calling the dance "belly dance," especially since it uses so many more body parts.  She prefers the term "Oriental Dance" since that is the direct translation of "raqs sharqi."

She taught us 2 dances that day.  The first dance was to "A la Kefek," a song about a guy seeing a girl and saying, "Have it any way you like it."  This dance was very high energy, but also very fun.

I liked that it was relatively simple, meaning that it didn't need to have so many innovative moves to be entertaining and interesting.  She also had a lot of symmetry, and spoke of using the arms to frame and direct the audiences eyes to what they "should be looking at."

Morocco in red, teaching us some moves.

The second half of the day's dance was to Georges Lammam's "Ahlam," which usually has a taxim introduction, but Morocco cut it to use only the part when the drums come on.  Some of us in the class recognized the song since Amira Jamal will use it during her class.  The song is beautiful!  I could feel the music and knew that it showed in my expression.

She spoke during this instruction about being careful not to use our chests in the camel movement.  Camels are basically lower body undulations, and being that Oriental dance is characterized by the body isolations, it is important not to ruin the integrity of the camel by involving the upper half.

The Master and her Students

I must say that it was an honor to be taught by such an important figure in American belly dance history.  It was even more of an honor to know that she, turning 70 that weekend, also had a dirty sense of humor!

Morocco and me!

Overall, it was a great birthday weekend!  Truly a treat for me to have this opportunity to learn some more skills from such a wonderful woman.